1801-1848 Thomas Cole Galleries Thomas Cole (February 1, 1801 - February 11, 1848) was a 19th century American artist. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century. Cole's Hudson River School, as well as his own work, was known for its realistic and detailed portrayal of American landscape and wilderness, which feature themes of romanticism and naturalism. In New York he sold three paintings to George W. Bruen, who financed a summer trip to the Hudson Valley where he visited the Catskill Mountain House and painted the ruins of Fort Putnam. Returning to New York he displayed three landscapes in the window of a bookstore; according to the New York Evening Post, this garnered Cole the attention of John Trumbull, Asher B. Durand, and William Dunlap. Among the paintings was a landscape called "View of Fort Ticonderoga from Gelyna". Trumbull was especially impressed with the work of the young artist and sought him out, bought one of his paintings, and put him into contact with a number of his wealthy friends including Robert Gilmor of Baltimore and Daniel Wadsworth of Hartford, who became important patrons of the artist. Cole was primarily a painter of landscapes, but he also painted allegorical works. The most famous of these are the five-part series, The Course of Empire, now in the collection of the New York Historical Society and the four-part The Voyage of Life. There are two versions of the latter, one at the National Gallery in Washington, D.C., the other at the Munson-Williams-Proctor Arts Institute in Utica, New York. Cole influenced his artistic peers, especially Asher B. Durand and Frederic Edwin Church, who studied with Cole from 1844 to 1846. Cole spent the years 1829 to 1832 and 1841-1842 abroad, mainly in England and Italy; in Florence he lived with the sculptor Horatio Greenough.  Related Paintings of Thomas Cole :. | Romantic Landscape with Ruined Tower | Sunrise in the Catskill Mountains (mk13) | Sketch for Dream of Arcadia | The Voyage of Life:Manhood (mk13) | Der Letzte Mohikaner |
Related Artists:
Gustavus Hesselius
(1682 - May 25, 1755) was a Swedish born painter who emigrated to the New World in 1711. He was the father of painter John Hesselius and cousin of the religious leader Emanuel Swedenborg. Hesselius left his home country of Sweden for Wilmington, Delaware in 1711. There he lived until 1717 when he moved to Philadelphia, Pennsylvania, where he lived until 1721. In 1721, he moved to Prince George's County, Maryland and became a portrait painter, though he had been trained in Sweden. That same year, he received the first recorded public art commission in the American colonies, he painted The Last Supper. He also painted a Crucifixion. Some time around 1735, Hesselius returned to Philadelphia where spent the rest of his life and traveling. He was listed as a member of the Gloria Dei (Old Swedes') Church in Philadelphia. He also worked as an organ builder, having built an organ for the Moravian Church in Bethlehem, Pennsylvania in 1746. From about this time on, he focused on building organs, referring painting commissions to his son John. J. Hall Pleasants has said that Hesselius became "America's earliest portrait painter of note." In 1994 he was named to the Prince George's County Hall of Fame.
Ernst Stuckelberg
Ernst Stuckelberg 1831-1901
Henry de Groux
Belgian 1867-1930 Henry de Groux (1866 in Brussels - 1930 in Marseilles) was a Belgian Symbolist painter, sculptor and lithographer. His 1889 painting Christ aux Outrages, widely described as his masterwork, depicted Jesus being attacked by a mob. Later in life, he produced many works depicting the horrors of the First World War. Ride of the Valkyries (ca. 1890) Royal Museums of Fine Arts, Brussels, BelgiumDe Groux was a member of les XX, but was expelled when he refused to have his works displayed in the same gallery as Vincent van Gogh. He subsequently moved to Paris, where he befriended Emile Zola; during the social unrest resulting from the Dreyfus affair, de Groux acted as one of Zola's bodyguards. As well, de Groux was a fervent diarist; beginning in 1892, he produced 18 volumes detailing the life of a European artist in the late 19th and early 20th centuries. In 2002, his descendants donated these volumes to the Institut national d'histoire de l'art; selected excerpts were published in 2007 Henry de Groux 1866-1930 - journal - Henry De Groux, Rodolphe Rapetti, Pierre Wat - Editions Kime.